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Format: Compact Disc
Release Date: Oct 25, 1990
Original release year: 1977
Label: Warner Bros. Records
Producer: Chris Thomas; Bill Price
Stereo: Stereo
Studio/Live: Studio
Pieces in Set: 1
Desc: Performer
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List Price:
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Title |
Sample (30 sec) |
| DISC 1 |
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| 1. |
Holidays In The Sun |
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| 2. |
Bodies |
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| 3. |
No
Feelings |
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| 4. |
Liar |
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| 5. |
Problems |
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| 6. |
God
Save The Queen |
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| 7. |
Seventeen |
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| 8. |
Anarchy In The U.K. |
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| 9. |
Sub-Mission |
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| 10. |
Pretty Vacant |
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| 11. |
New
York |
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| 12. |
EMI |
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The Sex Pistols: Johnny Rotten (vocals); Steve Jones (guitar); Sid
Vicious, Glen Matlock (bass); Paul Cook (drums).
Put this alongside BLONDE ON BLONDE and REVOLVER as an album that
changed the face of rock forever. Along with the Clash and the
Damned, the Sex Pistols Were one of the first bands to channel the
anger of dole-queue '70s Britain through a fierce musical amalgam of
pub rock, the Stooges and the New York Dolls. Despite their
influences, Johnny Rotten and company created something utterly
unlike what had come before. Their anarchist/nihilist attitude,
reflected in tunes like "Anarchy in the U.K." and "No Feelings"
spoke to a new generation of kids, more profoundly disaffected than
any other in the 20th century.
Rotten's snarling, distinctly British delivery of his agitational
lyrics made Dylan sound like Mario Lanza, and the pile-driver
guitars of Glen Matlock and Steve Jones move the songs along like a
Well-oiled but ornery machine. For all their iconoclasm, though, the
Pistols Were far more indebted to traditional pop song format (and
dynamics) than most of the punk bands that folloWed in their wake.
Consequently, for all their anger and urgency, such songs as
"Submission" and "Pretty Vacant" enter the ear easily, only
beginning to cause real internal damage once they get into your gut.
One of the most essential rock albums of all time.
© Muze/MTS Inc.
Rolling Stone (12/11/03, p.108) - Ranked #41 in Rolling Stone's "500
Greatest Albums Of All Time" - "...The Sermon on the Mount of
English punk - and the echoes are everywhere..."
Spin (5/01, p.109) - Ranked #10 in Spin's "50 Most Essential Punk
Records" - "...'Gabba Gabba Hey' meets 'Hey, hey We're the Monkees'..."
Q (5/02 SE, p.141) - Included in Q's "100 Best Punk Albums".
Q (6/00, p.85) - Ranked #10 in Q's "100 Greatest British Albums" -
"...Few [can] deny the LP's unrelenting punch nor its litany of
spine-tingling moments....imbued with a quintessentially London
ambience..."
Mojo (3/03, p.76) - Ranked #1 in Mojo's "Top 50 Punk Albums" - "Has
any other band so changed the world with just one album?..."
NME (10/2/93, p.29) - Ranked #3 in NME's list of the `Greatest
Albums Of All Time.'
NME (9/11/93, p.18) - Ranked #2 among the Greatest Albums Of The
'70s - "...The ultimate `first album as greatest hits'
exercise....Pub jukeboxes remain terrified of it to this day..."
Melody Maker (7/27/96, p.48) - "...NEVER MIND THE BOLLOCKS, as a
human transmission, as a piece of plastic, as an idea, even through
the putrid rose-tints of retrospect, even with the distance of time
and accumulation of official sanction, is still a bomb beyond
appraisal, impossible, UNDENIABLE..."
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