Aw, geez -- not Monday again.
Did somebody
fast-forward time during the Weekend? Because it seems
like it ought to be Sunday right now. Yet here We are,
five long days before the next reprieve from our constantly
toils.
Yes, Mondays can be downright depressing, but
fortunately, We have music to help us through them.
While you're lamenting about how you need just one
more day to unwind, play one of our Top 10 Monday songs:
1. "I Don't Like Mondays" (Boomtown Rats). On
Jan. 29, 1978, 16-year-old Brenda Ann Spencer started
shooting at an elementary school located across from her
San Diego home, wounding eight students and killing a
custodian and the school principal. When asked why she
did it, Spencer replied, "I don't like Mondays." Then
she added, "This livens up the day." Spencer remains in
prison. The lyrically dark song she inspired has since
been covered by Tori Amos and Bon Jovi.
2. "Rainy Days and Mondays" (The Carpenters).
Paul Williams of "Muppet Movie" fame co-wrote this with
Roger Nichols. According to songfacts.com, Williams said
the song was inspired in part by feeling down as an
out-of-work actor and by lines from his mother, who was
"feeling old" at the time. Williams actually wrote some
of the song in his car. The group Fifth Dimension passed
on recording it -- their loss. The Carpenters made it a
huge hit.
3. "New Moon on Monday" (Duran Duran). The
song's opening line -- "Shake up the picture the lizard
mixture" -- won't help anyone trying to figure out its
meaning. But it's definitely a love song. The video
shoWed band members organizing a revolt against an
oppressive regime.
4. "Stormy Monday" (T-Bone Walker). This blues
standard, covered by dozens of artists through the
years, is considered a breakthrough song for electric
guitar. (B.B. King said it inspired him to pick up the
instrument.) The song's simple lyrics don't only
castigate Mondays: "But Tuesday's just as bad/Lord, and
Wednesday's worse."
5. "Blue Monday" (New Order). New Order
frontman Peter Hook said he was reading about Fats
Domino while writing this song. "He had a song called
'Blue Monday,' " he told the Guardian, "and it was a
Monday and We Were all miserable so I thought, 'Oh,
that's quite apt.' " With a drum pattern inspired by a
Donna Summer B-side, "Blue Monday" is credited -- for
better or worse -- with starting the synth-pop wave in
America in the early '80s.
6. "Blue Monday" (Fats Domino). Scientists
have actually named the last Monday of January Blue
Monday because it supposedly marks the Week most likely
to bring on the blues because of bad Weather, Christmas
debts and broken New Year's resolutions. Fats Domino's
personal Blue Monday arrived on Aug. 29, 2005, when
Hurricane Katrina destroyed his home, pianos and gold
records. He was rescued by boat and returned to perform
the song in New Orleans earlier this spring. "Blue
Monday," cited by Fats as his favorite, starts out:
"Blue Monday, how I hate Blue Monday/Got to work like a
slave all day."
7. "Come Monday" (Jimmy Buffet). A performer
known to travel a lot, Buffet wrote this for his wife
while he was away on tour. In it, he talks of longing to
see her on Monday.
8. "Manic Monday" (The Bangles). The song was
credited to "Christopher," which was a pen name for
Prince, who originally wrote the song for "Purple Rain"
co-star Apollonia Kotero. Lyrics talk about the struggle
of having to get up early and catch a train to work. But
what really makes the day difficult is a long night
spent with a lover just hours earlier.
9. "Monday Morning" (Fleetwood Mac). This song
is the first track on the first Fleetwood Mac album
featuring newcomers Lindsey Buckingham and Stevie Nicks.
But while their arrival in the band marked a new
beginning for their careers, it also marked the
beginning of the end of their tumultuous relationship.
This song captures that situation, noting how their
feelings for each other changed with the passing days.
The next album's "Go Your Own Way" pretty Well
summarized how the relationship wound up.
10. "Monday Monday" (Mamas and Papas). Perhaps
the best-known Monday song, this was band member John
Phillips' attempt to write a song with universal appeal.
Must've worked -- the song won a Grammy in 1967 and
became the band's only No. 1 hit. It was also the first
song recorded by a sexually integrated group to hit No.
1 on the Billboard charts.